This book represents an attempt to capture different links between modern literature and music. The author examines strict intertextual correlations, the phenomena of musicality and musicality of literary works, the musical structure in literature, so-called musical literary texts. He focuses on the novel Le Cœur absolu by Philippe Sollers, the poem Todesfuge by Paul Celan, the Preludio e Fugh…
What is going on when a graphic novel has a twelfth-century samurai pick up a telephone to make a call, or a play has an ancient aristocrat teaching in a present-day schoolroom? Rather than regarding such anachronisms as errors, Samurai with Telephones develops a theory of how texts can use different types of anachronisms to challenge or rewrite history, play with history, or open history up to…
This masterly account of Leonardo da Vinci and his vision of the world has long been recognized as the classic treatment of the Renaissance giant, offering unparalleled insight into Leonardo's intellect and vision at every stage of his artistic career. Martin Kemp, one of the world's leading authorities on Leonardo, takes us on a mesmerizing journey through the whole span of the great man's li…
In an age of accelerating ecological crises, global inequalities and democratic fragility, it has become crucial to achieve renewed articulations of human commonality. With anchorage in critical theory as well as world literary studies, this volume approaches literature – and modes of literary thinking – as a key resource for such a task.
It has become increasingly clear that Numbers is the litmus test for new ideas relating to the formation of the Pentateuch. At the same time the profusion of ideas has only resulted in a corresponding lack of agreement between scholars. In the present study, Jordan Davis grants significant attention to the geographical references found at the end of the book of Numbers, combining archaeological…
Mary Pat Brady traces the figure of the captive and cast-off child over 150 years of Latinx/Chicanx literature as a critique of colonial modernity and the forms of confinement that underpin racialized citizenship.
eveloping the analogy between the laws of nature and stage machinery—also known as the merveilleux—Pluche elects to remain in the audience, subject to the illusion, rather than venture backstage in order to determine how the special effects are achieved.3 This acknowledgment of the implicit limitations of reason and the senses, subsequently dubbed epistemological modesty, left open the ques…
The personages of Steinberg all look like someone I know (I’m sure of it) but I can’t recall their name. Who is it? Where have I seen that face, that odd stance? I struggle with my memory, as if in a dream where its precision (and not the blur, contrary to what one believes) makes me the enigma. Steinberg does not reveal a schema; each time it is a figure, subtle and penetrating, …